My training includes an MA in Acting from ArtsEd, Diploma in Film Production and an extensive foundation in classical and contemporary theatre, screen acting, stage combat, voice work, and physical storytelling. I have performed roles ranging from the fiercely passionate Serafina Delle Rose (The Rose Tattoo) to the haunting and enigmatic Miss Havisham (Great Expectations). I also have experience in Shakespearean performance, period drama, and psychological realism.
With an additional background in archaeology and anthropology, I am fascinated by how history, culture, and human behavior intersect – bringing a layered, lived-in authenticity to my performances. I see acting as both an art and an exploration: a chance to uncover untold stories and bring them to life with truth, presence, and power.
MOVEMENT PRACTITIONER
As a certified Yoga instructor, PADI Divemaster and Pilates practitioner, I integrate breath, balance, and biomechanics into all my work, ensuring precision and presence in every performance. I am particularly drawn to physical theatre, movement-based storytelling, and roles that demand a fully embodied performance, believing movement to be one of the most powerful ways to connect with an audience on a visceral level.
I have been training in ballet, contemporary dance, cabaret, and yoga since the age of three, developing a deep awareness of the body’s ability to communicate beyond words. My training extends to 5Rhythms, stage combat, aerial, and pole work, giving me the adaptability to shift between strength, fluidity, and expressiveness.
VOCALIST
Music has always been a fundamental part of my creative expression.
As a mezzo-soprano, I have trained in cabaret, musical theatre, and contemporary vocal performance, allowing me to adapt my voice to a wide range of styles. Whether through emotionally charged performances, character-driven pieces, or intimate vocal work, I see singing as an extension of movement and emotion – another way to bring stories to life with depth and authenticity.
My voice naturally lends itself to folk-inspired melodies, sultry jazz-infused cabaret, and the expressive storytelling of musical theatre. With a background in both theatre and dance, I approach music with a deep sense of rhythm, physicality, and dramatic intention, ensuring that every performance feels lived-in and alive.
