I am an actor drawn to roles that challenge, transform, and explore the depths of human nature. With a background spanning theatre, screen, and physical performance, I thrive in stories that demand intensity, intelligence, and emotional complexity. Whether embodying historical figures, navigating high-stakes drama, or bringing poetic scripts to life, I seek to merge instinct with deep character work.
My training includes an MA in Acting from ArtsEd, Diploma in Film Production and an extensive foundation in classical and contemporary theatre, screen acting, stage combat, voice work, and physical storytelling. I have performed roles ranging from the fiercely passionate Serafina Delle Rose (The Rose Tattoo) to the haunting and enigmatic Miss Havisham (Great Expectations). I also have experience in Shakespearean performance, period drama, and psychological realism.
With an additional background in archaeology and anthropology, I am fascinated by how history, culture, and human behavior intersect—bringing a layered, lived-in authenticity to my performances. I see acting as both an art and an exploration: a chance to uncover untold stories and bring them to life with truth, presence, and power.
MOVEMENT PRACTITIONER
As a certified Yoga instructor, PADI Divemaster and Pilates practitioner, I integrate breath, balance, and biomechanics into all my work, ensuring precision and presence in every performance. I am particularly drawn to physical theatre, movement-based storytelling, and roles that demand a fully embodied performance, believing movement to be one of the most powerful ways to connect with an audience on a visceral level.
I have been training in ballet, contemporary dance, cabaret, and yoga since the age of three, developing a deep awareness of the body’s ability to communicate beyond words. My training extends to 5Rhythms, stage combat, aerial, and pole work, giving me the adaptability to shift between strength, fluidity, and expressiveness.
VOCALIST
Music has always been a fundamental part of my creative expression.
As a mezzo-soprano, I have trained in cabaret, musical theatre, and contemporary vocal performance, allowing me to adapt my voice to a wide range of styles. Whether through emotionally charged performances, character-driven pieces, or intimate vocal work, I see singing as an extension of movement and emotion—another way to bring stories to life with depth and authenticity.
My voice lends itself naturally to folk-inspired melodies, sultry jazz-infused cabaret, and the expressive storytelling of musical theatre. With a background in both theatre and dance, I approach music with a deep sense of rhythm, physicality, and dramatic intention, ensuring that every performance feels lived-in and alive.
Latest Stories
Transforming Tales: The Body As An Instrument
Acting doesn’t just happen in the voice – it lives in the body. Whether it’s a subtle shift in posture that reveals a character’s status or a full-body transformation for a physically demanding role, movement is at the heart of every performance.
Before I ever stepped onto a film set, I trained extensively in movement and physical storytelling.
In this piece, I’ll explore how my background in physical theatre, movement training, and even diving and adventure sports has shaped my approach to acti…
Mischief Comes To Life In The Glove Thief
A gripping historical drama that weaves together themes of power, loyalty, and survival in the intricate world of Elizabethan England. At the heart of the play is a story of unlikely alliances, political intrigue, and the resilience of women navigating a world dominated by men.
In this recent production, I portrayed the formiddable Queen Elizabeth I. Exploring the razor-sharp intelligence and unyielding presence of a monarch whose power is both revered and constantly teste…
The Truth About Being a Supporting Artist
Being a supporting artist isn’t just about filling space in the background – it’s about understanding the rhythm of a scene, reacting authentically, and helping build a world that feels real. Yet, in an industry obsessed with lead roles and breakthrough moments, the significance of supporting work often goes overlooked.
In many ways, it’s one of the best training grounds for an actor because it forces you to refine your instincts, work off other performers, and contribute to the scene in ways that aren’t always scrip…
